Sonntag, 28. Juni 2009

Find Me A Charge, I'll Stand Accused


A cassette only release in 1985. According to Gary Mundy this release was "a final word on the Morality. Everyone is invited to define Morality in sounds of up to six minutes in duration. The most interesting results will be released..."

You get finest old school bzzzzzzzzzz !


Side A

Side B

Samstag, 27. Juni 2009

Records as Religion


"In fact one might say to all these records of human life, all these Grammata that have come down to us, what Marcus Aurelius teaches us to say to ourselves : each one is "a little soul carrying a corpse." Each one, besides the material and temporary message it bears, is a record, however imperfect, of human life and character and feeling. In so far as the record can get across the boundary that separates mere record of fact from philosophy or poetry, so far it has a soul and still lives. This is clearest, of course, in the records to which we can definitely attribute beauty. Take a tragedy of Aeschylus, a dialogue of Plato, take one of the very ancient Babylonian hymns or an oracle of Isaiah. The prophecy of Isaiah re- ferred primarily to a definite set of facts and contained some definite and generally violent political advice ; but we often do not know what those facts were, nor care one way or another about the advice.
Both soul and body are preserved, imperfectly of course, in Grammata or Letters ; in a long series of marks scratched, daubed, engraved, written or printed, stretching from the inscribed bone implements and painted rocks of prehistoric man, through the great literatures of the world, down to this morning's newspaper and the MS. from which I am speaking ; marks which have their own history also and their own vast varieties. And "the office of the art Grammatike is so to deal with the Grammata as to recover from them all that can be recovered of that which they have saved from oblivion, to reinstate as far as possible the spoken word in its first impressiveness and musicalness." That is not a piece of modern sentiment. It is the strict doctrine of the scribes.
We intellectuals of the twentieth century, poor things, are so intimately accustomed to the use of Grammata that probably many of us write more than we talk and read far more than we listen. Language has become to us primarily a matter of Grammata. We have largely ceased to demand from the readers of a book any imaginative transliteration into the living voice. But mankind was slow in acquiescing in this renunciation. Isocrates, in a well-known passage (5, 10) of his Letter to Philip, laments that the scroll he sends will not be able to say what he wants it to say. Philip will hand it to a secretary and the secretary, neither know- ing nor caring what it is all about, will read it out " with no persuasiveness, no indication of changes of feeling, as if he were giving a list of items." The early Arab writers in the same situation used to meet it squarely. The sage wrote his own book and trained his disciples to read it aloud, each sentence exactly right ; and generally, to avoid the mistakes of the ordinary untrained reader, he took care that the script should not be intelligible to such persons.
First, we may say, the chains of the mind are not broken by any form of ignorance. The chains of the mind are broken by understanding. And so far as men are unduly enslaved by the past it is by understanding the past that they may hope to be free. But, secondly, it is never really the past the true past that enslaves us ; it is always the present. It is not the conventions of the seventeenth or eighteenth century that now make men conventional. It is the conventions of our own age ; though of course I would not deny that in any age there are always fragments of the uncomprehended past still floating, like dead things pretending to be alive. What one always needs for freedom is some sort of escape from the thing that now holds him. A man who is the slave of theories must get outside them and see facts ; a man who is the slave of his own desires and prejudices must widen the range of his experience and imagination. But the thing that enslaves us most, narrows the range of our thought, cramps our capacities and lowers our standards, is the mere Present the present that is all round us, accepted and taken for granted.
The joy and grief of the artist in his art, of the strong man in his fighting, of the seeker after knowledge or righteousness in his many wanderings ; these and things like them, all the great terrors and desires and beauties, belong somewhere to the permanent stuff of which daily life consists ; they go with hunger and thirst and love and the facing of death."


- Gilbert Murray

Donnerstag, 25. Juni 2009

Phoebus - "Peri Sable"



A minimal work of guitar chords repeated in a digital mantra, like small grains of sand falling down the dune portrayed on the cover.

Download

Montag, 22. Juni 2009

Telephone and Art


The telephone was designated the most fitting means of communication in relaying instructions......

DOWNLOAD

Sonntag, 21. Juni 2009

I.B.M. 7090 - Music From Mathematics


Music From Mathematics" was an album of early electronic music, programmed by the boffins (very likely in authentic period white coats and glasses) at Bell Laboratories way back in the early 1960s, using the then-new IBM 7090 computer and an "electronic to sound transducer". The music on the album, about half of which is included here, is a mixture of strange, other-worldly blips, rushing white noise, tootly reworkings of classical pieces and a marvellous period "singing computer" version of "A Bicycle Made For Two" (already featured on the 365 Days Project, #62, and so not included again). Full marks to Decca Records for releasing the record - remember that in 1962, these alien sounds would have been totally new, and suitably space-age in their sound.


DOWNLOAD

Mittwoch, 17. Juni 2009

A Note On Negro Poetry


To fix on the point where the forces have accumulated, from whence the formulated sense springs, the invisible radiance of substance, the natural relation, but hidden and just, naively, without explanation.


To round off and regulate into shapes, into constructs, the images according to their weight, color and matter; or to map the arrangements of the values, the material and lasting densities, subordinating nothing to them. Classification of the comic operas sanctioned by the aesthetic of accessories. (O, my drawer number ABSOLUTE.)


I abhor to enter a house where the balconies, the "ornaments", are carefully stuck to the wall. Yet the sun, the stars continue to vibrate and hum freely in space, but I loathe to identify the explanatory hypotheses (asphyxiant probable) with the principle of life, activity, certainty.


The crocodile hatches the future life, rain falls for the vegetal silence, one isn't a creator by analogy. The beauty of the satellites – the teaching of light – will satisfy us, for we are God only for the country of our knowledge, in the laws according to which we live experience on this earth, on both sides of our equator, inside our borders. Perfect example of the infinite we can control: the sphere.


To round off and regulate into shapes, into constructs, the images according to their weight, color and matter; or to map the arrangements of the values, the material and lasting densities through personal decision and the unswerving firmness of sensibility, comprehension adequate to the matter transformed, close to the veins and rubbing against them in the pain for the present, definite joy. One creates an organism when the elements are ready for life. Poetry lives first of all for the functions of dance, religion, music and work.


- Tristan Tzara

Montag, 15. Juni 2009

FINAL DIENSTBAR






DIENSTbar will set up PA @ 19:00 on tuesday.
For those who need a longer setup - please come early!
Do not forget it is a small place and so show us that you are a cool noise-musican who can survive without big equipment.
No we do not have a car or a link to them, sorry.

The line up is up to you!
So who is first can play first and so on, but I hope to see you all all the time.


So far we have confirmed:

Angie Yeowell
AUT-ONANIST MARXISTRY
Circuit Demon www.myspace.com/circuitdemon
DTV www.myspace.com/daattheveil
Herr Schmidt hat Krach www.myspace.com/herrschmitdhatkrach
Johnny Chung
Joris J www.myspace.com/harshjorisj
matchess www.myspace.com/matchees
Ohmnoise www.myspace.com/ohmnoise
ratbag www.myspace.com/ratbag_
Roboth Bathing www.myspace.com/robotbathing
Sean Marquardt www.myspace.com/seandcmarquardt
Sem Erssu Aq www.m.virb.com/jdzazie
SPASTIC DEMENTIA www.myspace.com/marceloaguirre
The Fake Masters www.myspace.com/fakemasters
The Shock Technican www.myspace.com/theshocktechnician

BALLAST DER REPUBLIK
Brunnenstr. 183
Berlin-Mitte

Sonntag, 14. Juni 2009

Für den Pausensnack...


...morgens halb 10 in Deutschland (oder wo auch immer) könnte Animal Machine was sein. Trackdauer im Schnitt 10 Sekunden, 1.30 Minute wird nie überschritten.
Kurz, sinnlos, braucht eigentlich niemand.

Herunterladen

Freitag, 12. Juni 2009

A Grey Cyclo Winter




An nice Issue from OBLIETTE !
Take it !

He also runs a small netlabel now for outnumbered tapes.
Have a look !

Dienstag, 9. Juni 2009

NYODENE D - INDUSTRIAL DECAY


A new album of bleak power electronics utilizing vocals, samples, feedback and synths. Industrial Decay is an album that focuses on the decay of industry and quality of life in Rust Belt towns, specifically centered on Cleveland. Themes deal with industrial collapse, government inaction, mental illness, depression and drug abuse. Collage by Aaron Vilk and photographs used for it taken by the lovely Ms. Chris Davis.



DOWNLOAD


Grundale Records

Evil Moisture+J.Hegre(Jazkamer)+Moha!



SATURDAY, JUNE 13TH

Live:

Evil Moisture (Andy Bolus - Tochnit Aleph, Le Dernier Cri) - Noise
http://www.evilmoisture.tk
http://www.myspace.com/doomation

Ignaz Schick (Perlonex/Snake Figures Arkestra) - turntable, pedals
John Hegre (Jazkamer) - el. guitars
Morten J. Olsen (MoHa!) - drums, supercollider
http://www.myspace.com/ignazschick
http://www.lassemarhaug.no/jazzkammer/frontpage.html
http://www.myspace.com/themoha

Mat Pogo (Jealousy Party) - vocals, electronics
Anders Hana (MoHa!) - el. guitars, keyboards
http://www.myspace.com/thejealousyparty
http://www.burpenterprise.com
http://www.myspace.com/themoha

+ JD Zazie - DJ Set
http://www.virb.com/jdzazie


@ Raum 18, Ziegrastraße 11, Berlin Neukoelln (S-Bahn Sonnenallee), 21:00
Infos/Map: http://www.raum18-berlin.com

Noise+Fest

Montag, 8. Juni 2009

Candle-powered music box


this compilation is a collection of music based on homemade instruments and recordings of sounds around the home. the do-it-yourself aesthetic is taken quite literally here as music is made from the sounds of a dryer, a sink, electric instruments made from sticks found in backyards, grandma's oxygen tank, circuit-bent devices and more. musicians and non-musicians from around the world contributed a dozen carefully-selected tracks.


DOWNLOAD

Sonntag, 7. Juni 2009

Eingelegt und Erhitzt


Der künstlerische Ernstfall lässt sich in den Marxschen Produktionskategorien fixieren.
Arbeitsgegenstand und Arbeitsmittel sind nach Marx die Voraussetzung der Arbeit:
causa materialis des Arbeitsprozesses. Auch die kompositorische Arbeit hat objektive
Produktionsbedingunen, ihre spezifischen Produktionsmittel, ihre Arbeitsmittel und ihr
Material.
Das Material hat seine objektiven Bewegungsgesetze, die durch die Produktivkräfte und
Produktionsverhältnisse bestimmt werden. Seine immanente Bewegungsrichtung, seine Tendenz,
hat das Material durch die in ihm vergegenständlichte Kompositionsarbeit erhalten,
die sich nur unter bestimmten objektiven Bedingungen realisiert.
Die vormalige Subjektivität tritt als sedimentierter Geist dem Komponieren entgegen.
Der Einsicht Nietzsches gemäß, dass nur das, was keine Geschichte hat, definierbar ist,
lässt das musikalische Material nicht eindeutig sich fixieren.
Der jeweilige Stand des Materials lässt sich nicht positiv an für der Geschichte authentischer
Werke ablesen, sondern nur in bestimmter Negation mißlungener Komposition.
Noise ist kein Komponierrezept für Gehörlose, die vorab schon wissen möchten,
was erlaubt und verboten ist, der Begriff des Materials ist also kein normativer und ergo
erst post festum erkennbar.
Weil die Freiheitsberaubung als organisiertes Vergnügen geliefert wird,
findet die avancierteste Musik kaum ein Ohr und der Musiker wird auch ohne staatlichen
Zwang gesellschaftlich isoliert und in die einsame Produktion verdrängt.
Der Prozeß der totalen Integration entspricht einer Desintegration, in der die
intermediären Instanzen wie die Familie zersetzt und die Individuen in Monaden
der gesellschaftlichen Totalität umgewandelt wurden.
Diese prallen, wie der Verfall der Umgangsformen mit der Vervielfältigung und Beschleunigung
der Interaktionen mit erhöhtem Impuls aufeinander.
Der neue Sozialcharakter hat erstaunliche Leistungen der Selbsterhaltung zu erbringen und
ist von daher nicht identitätslos, vefügt aber nicht mehr über die dem Inner directed man
vermittelte Ich-Stärke.
Die Unfähigkeit zur Distanz führt zur Pseudo-Individualisierung.
Den Individuen ergeht es ähnlich den Klängen und Figuren im Noise, sie werden eingelegt und
erhitzt.

Donnerstag, 4. Juni 2009

Konzert-Termine Juni 2009 (Raum Berlin)

04.06.09
Lychener Straße 60, 10437 Berlin

GERM STUDIES ALBUM LAUNCH

GERM STUDIES
Chris Abrahams, DX7
Clare Cooper, guzheng
http://germstudies.com/

ORGAN-OFF
Thomas Meadowcroft & Magda Mayas play an ausland full of organs.

Germ Studies posters, disks and show bags to be won.



05. 06. 09
Zimmerstr. 13, Berlin

...

PAOLO INVERNI
"PATHS"

In Paths Inverni plays back some music he loves (by Steve Roden, William Basinski, Akira Rabelais, Christina Kubisch, Painting Petals On Planet Ghost, Nuno Canavarro) in places that have marked his life, and then records the "dialogue" between the music itself and the environmental sounds.

The work consists of an artist´s book, three audio/visual installations, and six photographs on lambda print.

CURATED BY
Daniela Cascella

www.galeriemazzoli.com


06. 06. 09
Lohmühlen-/Ecke Kiefholzstraße

draußen & gratis

Diop/Kellers/Jörgensmann
Theo Jörgensmann clarinet / Abdourahmane Diop percussion, vocal / Willi Kellers drums, vocal

Zwei Urströme der Musik: Rhythmus & Improvisation, ein Jazz-Kosmos voller Anarchie und Zügellosigkeit.


Baby Bonk
Martin Klingeberg trumpet, tenor horn, electronic, lead-vocal / Kalle Kalima guitar, vocal / Michael Griener drums, vocal

Hip, intelligent und supermodern

www.jazzkeller69.de

06. 06. 09
Alte Schoenhauserstraße

Bistro13

Didrik Ingvaldsen, trp (NO)
Fausto Sierakowski, sax (FR)
Jens Bang, trp (DK)
Kasper Tom, dr (DK)

06. 06. 09
Kanstanienallee 77, 2 HH, 3 OG

NOT SO LOUD music series

Axel Dörner, trumpet
Chris Heenan, contrabass clarinet & alto saxophone
+
Liz Allbee, trumpet
Jason Levis, percussion
+
Barnaby Tree and Radio ON
Barnaby, cello voice
Rinus, tapes, words, electronica fantasitca
Adrian, playing fladidaahah laptop machines and whoop-caw caw hi-KAH

06. 06. 09
Schlesische Straße 42

Mikolaj Traska (Poland), tenor saxophone, alto saxophone and bass clarinet
Clayton Thomas, double bass
Tim Daisy (Chicago) drums

free swinging, hard blowing good times.

Free entry. Donation ideal.
www.myspace.com/mikolajtraska

06. 06. 09
Greifswalderstr. 223, 10405 Berlin

naivsuper presents

*********************************************

* CORRIDORS (US)
* Heribert Friedl (A)

www.myspace.com/corridors
http://www.myspace.com/heribertfriedl

CORRIDORS aka Byron Westbrook is an artist working with the dynamic quality of physical space using multi-channel sound and images. His audio/video performances under the name CORRIDORS involve the distribution of processed instrumental and environmental recordings through a multi-channel environment with a focus on energy distilled from sound and light.

"To call Byron Westbrook a composer of breathtakingly beautiful ambient pieces and drone works is reasonably accurate but painfully reductive; Westbrook, whose work under the name Corridors has involved acoustic instruments, field recordings, spatialized playback and lighting, is the kind of artist for whom the old, mostly disused term intermedia was coined." -TimeOut New York

----------------------------

Heribert Friedl follows the kind of minimalist aesthetics that works with a few sounds, small events, nearly imperceptibl movements. Despite seeming simple, this is a very delicate kind of music: each and every sound bears enormous significance and have to bear the responsibility for the whole work.

After more mp3-releases and albums on labels LINE, Trente Oiseaux and and/OAR he founded his label nonvisualobjects with Raphael Moser in 2005. The label releases works by such renowned minimalist artists as Steve Roden, Richard Chartier, Roel Meelkop, Bernhard Günter, among others.
www.nonvisualobjects.com


07. 06. 09
Weichselstraße 49 12045 Berlin-Neukölln

14:00 - 21:00 Uhr

"Bullet Train Ballad No.1"
von Antti Sakari Saario

Flüchtige Übergänge und mehrfache Schichten von Zeit und Perspektive - das Beobachtete und der/die Beobachter/in - Hochgeschwindigkeitszug und der Steingarten - Paradoxe in Bewegung.

www.myspace.com/anttisaario
www.ohrenhoch.org

07. 06. 09
am Rudolfplatz, Berlin-Friedrichshain, U+S Warschauer Str.

ATMOSPHAEREN
Festival Ungewöhnlicher Musikinstrumente an Vollmond-Abenden 2009
Free-Festival of Odd Musical Instruments on Full-Moon-Evenings 2009

Ausgabe 2: WATERPHONE
Issue 1: Waterphone-Prototype 1974 by Richard Waters

Doors open 7:30pm
Eintritt frei
Admission Free

Further Information/Weitere Infos: www.myspace.com/atmosphaeren

07. 06. 09
Lychener Straße 60, 10437 Berlin

Ersatzsteile

is a replacement of electronic and acoustic music.
Replacement of notes and replaced instruments.
Replacement of improvisation and preparation.
Replaced parts of concert and rehearsal.

G.Bagdasarov - fluteophone, acoustic stuff and electronic gear
Pjoni - cello, acoustic gear and electronic stuff

http://www.myspace.com/ersatzsteil

r.aud

Imagine a dark room and a film projector in that room . Next moment there is the light. It creates a beam. The light beam is stretched through the room like a string. The projector is loaded with a film. There is no film on the film. It appears right in that room, right in that lightbeam. And it plays on the beam. Imagine the sound between the vertical rolling of the film and the horizontal video interlacing. Now you can turn off electricity and dive back into the dark room.
Can you hear the light? Can you listen to a colour?

performance by G.Bagdasarov

http://www.myspace.com/georgebagdasarov


09. 06. 09
Schlesische Straße 42

f.d.i. (freude durch improvisation)

EVAPORI (http://virb.com/evapori)
SONATA REC (http://www.myspace.com/sonatarec)
MICHAEL RENKEL(http://www.myspace.com/michaelrenkel) + NICOLAS WIESE (http://www.myspace.com/nicolaswww, http://www.nicolaswiese.com)

http://www.wendel.nstp.de

09. 06. 09
Rigaer Straße 71 – 73, 10247 Berlin

Sehen & Gehört werden | The Ambience Is Dissenting

Live: Dirk Markham (Berlin, D)
improv ambient-electronica ("psycho-acoustic")
http://dirkmarkham.com/

Master of Ribongia (Sydney, AUS)
Adventurous Early 90´s Computer Music
http://www.myspace.com/masterofribongia

http://www.antjeoeklesund.de

10. 06. 09
Mittenwalder Strasse 7 10961 Berlin

Die Remise im Sommercamp
@ Maria am Ostbahnhof - Terrasse
An der Schillingbrücke/ Stralauer Platz 33-34
10243 Berlin

10.06.2009

Wednesday Improv Series

Ab 18.00 Uhr:
Entspannen auf der Terrasse
Kulinarische Köstlichkeiten vom Grill
Merguez, Wildkräuter, Rote Paprika Suppe

Die Show beginnt um 20.00 Uhr

(bei schlechtem Wetter findet die Veranstaltung im "Dritten Raum"@ Maria statt)



Michael Vorfeld
( GLUEHLAMPENMUSIK )
Audiovisuelle Performance
http://www.vorfeld.org/



Olaf Rupp ( Gittarre )
http://www.myspace.com/olafrupp

Rudi Fischerlehner ( Drums )
http://www.myspace.com/rudifischerlehner

Matthias Mueller ( Trombone )
http://www.myspace.com/matthiasmuellermusic




DJ: Jazz Sound System


10. 06. 09
Lychener Straße 60, 10437 Berlin

Nine Lives: Volume 2

Two nights of spontaneous music, featuring collaborations, improvisations and compositions by:

Jean-Luc Guionnet - alto saxophone (FR)
Seijro Muramaya - percussion (J)
Alexandre Babel - percussion (CH)
Diego Chamy - movement and sound (ARG/D)
Clare Cooper - guzheng (AUS /D)
Robin Hayward - tuba (GB/D)
Christof Kurzmann - electronics (A)
Andrea Neumann - Innenklavier (D)
Clayton Thomas - double bass (AUS/D)

more info: www.ausland-berlin.de


10. 06. 09
Boxhagenerstraße 99

Sound Art Modul 9

Marc Torbohm – guitar & electronics
Re´em - e-harp, voice
Leander Reininghaus – laptop & loops

www.kanalmusik.de
www.theaterkapelle.de

11. 06. 09
Auguststrasse 21, 10117 Berlin

Gebhard Ullmann: Tenorsaxophon
Tobias Delius: Tenorsaxophon
Matthias Schubert: Tenorsaxophon

Eintritt 5 €

11. 06. 09
Lychener Straße 60, 10437 Berlin

Nine Lives: Volume 2

Two nights of spontaneous music, featuring collaborations, improvisations and compositions by:

Jean-Luc Guionnet - alto saxophone (FR)
Seijro Muramaya - percussion (J)
Alexandre Babel - percussion (CH)
Diego Chamy - movement and sound (ARG/D)
Clare Cooper - guzheng (AUS /D)
Robin Hayward - tuba (GB/D)
Christof Kurzmann - electronics (A)
Andrea Neumann - Innenklavier (D)
Clayton Thomas - double bass (AUS/D)

more info: www.ausland-berlin.de

11. 06. 09
Schlesische Straße 42

f.d.i. (freude durch improvisation)

José García — Hybrid Percussion, Hugo Morales — Modified acoustic guitar, Carlos Sandoval — Gloves with sensors
E-MARIACHI at Wendel, a travesty show" Percussions, guitar and gloves

http://www.wendel.nstp.de

13. 06. 09


3 Lives @ Raum 18, Ziegrastraße 11, Neukölln, Sbahn Sonnenallee

*Evil Moisture (Andy Bolus) - Noise
www.evilmoisture.tk
www.myspace.com/doomation

Trio:
*Ignaz Schick (Perlonex/Snake Figures Arkestra) - turntable, pedals
*John Hegre (Jazkamer) - el. guitars
*Morten J. Olsen (MoHa!) - drums, supercollider
www.myspace.com/ignazschick
www.myspace.com/jazkamer
www.myspace.com/themoha

Duo:
*Mat Pogo (Jealousy Party) - vocals, electronics
*Anders Hana (MoHa!) - el. guitars, keyboards*
www.myspace.com/thejealousyparty
www.myspace.com/themoha

+ JD Zazie
virb.com/jdzazie

15. 06. 09
KuLe, Auguststr. 10, 10117 Berlin

Seijiro Murayama - snare drum
Jean-Luc Guionnet - sax

GLIMPS
Britta Schönbrunn - dance
Biliana Voutchkova - violin
Sebastien Hilken - cello

Seby Ciurcina - guitar and voice

16. 06. 09
Schlesische Straße 42

f.d.i. (freude durch improvisation)

The Eskimo and the Futile Guilt:
Johannes Schleiermacher, sax
Kalle Zeier, guitar
Kasper Tom, drums

www.myspace.com/kaspertom
www.myspace.com/johannesschleiermacher
www.wendel.nstp.de

16. 06. 09
Schlesische Straße 42

f.d.i. (freude durch improvisation)

The Eskimo and the Futile Guilt:
Johannes Schleiermacher, sax (www.myspace.com/johannesschleiermacher)
Kalle Zeier, guitar
Kasper Tom, drums (www.myspace.com/kaspertom)

http://www.wendel.nstp.de

17. 06. 09
Invalidenstraße

Jennifer Walshe
i: same person/ ii: not same person (2008) DE
Thelma Mansfield (2008) DE
Michael Maierhof
ZONEN 3 (2007/2008)
splitting 29.2 (2008) DE
Walshe/Maierhof
Improvisation

Jennifer Walshe, Stimme
Michael Maierhof, Violoncello, Dirigat
Trio Nexus:
Erik Drescher, Flöte
Heather OŽDonnell, Klavier
Claudia Sgarbi, Schlagzeug

17. 06. 09
Mittenwalder Strasse 7 10961 Berlin

Die Remise im Sommercamp
@ Maria am Ostbahnhof - Terrasse
An der Schillingbrücke/ Stralauer Platz 33-34
10243 Berlin

17.06.2009

Wednesday Improv Series

Ab 18.00 Uhr:
Entspannen auf der Terrasse
Kulinarische Köstlichkeiten vom Grill
Bistecca, Wildkräutersalat, Gegrillter Spargel



Brent Arnold
Cello , Voice
http://www.myspace.com/brentarnoldmusic



Roy Carroll
Sampler.
http://www.myspace.com/royelylyonscarroll

Justin Carroll
Analogue Synth,
http://www.myspace.com/justincarrollmusic

Improv Rythm Section




Die Show beginnt um 20.00 Uhr

(bei schlechtem Wetter findet die Veranstaltung im "Dritten Raum"@ Maria statt)
DJ: Jazz Sound System

18. 06. 09
Auguststrasse 21, 10117 Berlin

Jazzkeller 69 stellt vor:
Berlin Jazz Composers Orchestra Jay Jay Be Ce
Leitung Christof Griese
Eintritt frei

http://www.saxart.de/pages/jjbcpresse.html


19. 06. 09
Greifswalderstr. 223, 10405 Berlin

schraum record release:

Torsten Papenheim´s "Some Of The Things We Could Be"

Twelve new pieces composed and arranged by Torsten Papenheim.
Produced by Dave Bennett and Torsten Papenheim.
Performed by Dave Bennett, Merle Bennett, Christian Biegai, Axel Haller, Christian Marien, Matthias Müller, Derek Shirley, Roland Spieth, Michael Thieke, Clayton Thomas, Gerhard Uebele, Torsten Papenheim, Ute Völker.

listen to the record & enjoy an evening with schraum...free entrance.

www.schraum.de
www.myspace.com/schraum
www.myspace.com/torstenpapenheim

19. 06. 09
Kastanienallee 77 10435 Berlin Prenzlauer Berg

June 19 (location TBA)
The Carroll Brothers (Ireland/Berlin)
Matt Meade (US)

more info at http://salonbruit.blogspot.com/

20. 06. 09
Lohmühlen-/Ecke Kiefholzstraße

draußen & gratis

Akkordeonensemble der Musikschule Treptow-Köpenick feat. HF-Quartett
Daniel Grunenberg, Konstantin Denkinger, Tim Koglin, Gudrun Hinnenburg, Leitung Lora Fleischhauer

Helmut Forsthoff Quartett
Helmut Forsthoff tenor sax / Gerhard „Kubi“ Kubach bass / Denis Stilke drums / Paul Schwingenschlögl trumpet, flugelhorn

Das Helmut Forsthoff Quartett gibt es seit 1987. Die Musiker präsentieren moderne swingende Musik zwischen Tradition und freien Spielweisen. Es tritt in Interaktion mit den Akkordeonisten. In diesem Kontext erklingt Vertrautes, gleichzeitig entsteht aber ein neuer Sound, der den Rahmen gewohnter Akkordeonmusik sprengt.


Berlin Jazz Composers Orchestra Jay Jay Be Ce, Leitung: Christof Griese
Moritz Köther, Nils Feldmann, Henrik Baumgarten, Simon Barchewitz, Andres Reifgerst saxes / Tobias Knebel, David Heiß, Jan Kaiser trumpets / Nils Marquard, Maxim Tartakovskiy, Nils Nüsse trombones / Antje Rössler piano / Christian Kühn guitar / Paul Lapp bass / Leon Griese drums

Mehr als nur eine Bigband, denn die jungen und talentierten Musiker tummeln sich auch im schillernden Reich des Modern Jazz: kein betulicher Swing, sondern eine stilsichere Wanderung zwischen Cool Jazz, Soundlandschaften und Atonalitäten.

www.jazzkeller69.de

22. 06. 09
KuLe, Auguststr. 10, 10117 Berlin

* Morishige - Cello


* Myr mit Klavyr: Innen x Außenraum Klavier

Vinzenz Schwab: Live-Elektronik
Helmut Kleinfercher: Live-Elektronik
Richard Bruzek: Piano, elektronik Devices

http://myr.klingt.org/


* Velharmonisches Orchester:
akustische Instrumente, Elektronik, live Elektronik, Überraschungen...

Alexander Martinz | Flo Kindlinger | Stefan Frauenberger | Stefan Brunner | Tim Blechmann | Vinzenz Schwab | Daniel Lercher | Wagner Felipe dos Santos | Helmut Kleinfercher | Laura Mello | Andreas Stoiber | Richard Bruzek

http://velak.klingt.org/

24. 06. 09
Mittenwalder Strasse 7 10961 Berlin

Die Remise im Sommercamp
@ Maria am Ostbahnhof - Terrasse
An der Schillingbrücke/ Stralauer Platz 33-34
10243 Berlin

24.06.2009

Wednesday Improv Series

Ab 18.00 Uhr:
Entspannen auf der Terrasse
Kulinarische Köstlichkeiten vom Grill
Tomatenbaguette Bacelonetta, Wildkräutersalat, Sardinen

Die Show beginnt um 20.00 Uhr

(bei schlechtem Wetter findet die Veranstaltung im "Dritten Raum"@ Maria statt)



Yorgos Dimitriadis
Drums
http://www.myspace.com/yorgosdimitriadis

Miles Perkin
Bass
http://www.myspace.com/milesperkin

Tom Arthurs
Trumpet
http://www.myspace.com/tomarthurs



Almut Kühne
Voice
http://www.myspace.com/almutkuehne

Improv Rythm Section




DJ: Jazz Sound System


30. 06. 09
Schlesische Straße 42

f.d.i. (freude durch improvisation)

Luca Marini (schlagzeuger) (www.myspace.com/lucamarini )
Jasper Stadhouders (gitarist) (www.myspace.com/jasperstadhouders)

http://www.wendel.nstp.de

Mittwoch, 3. Juni 2009

First step on the road to the Eternal Noise


Running by FILTHY TURD:
"THE BLOBbb is the name of a podcast i'm gonna squeeze out of my greasy hole first week of every month TILL THE END OF TIME. It be some collaborative effort I implore ye all send me sound and audio jizz, mp3 or wav no longer than 3 mins ANYTHING GOES I'll just jam it all together ANYTHING GOES - fake animal noises sex boredom daytime soap operas ill-anal hogwash breakfast snouting neighbourly spazz attack arcade spunksstain cries of horror carwash phonecalls moaning uh-huh- all those secret things you do when no ones looking I'LL JUST JAM IT TOGETHER and every month overlay bits from previ-oSe podcasts untill years from now it's an eternal munge heap of quiver and i'll make all the source files available for ever so anyone can make their own BLOBbb - the name of the game be the eternal noise

I'll loop bits overlay bits speed up bits whichever way the old EVO sends i - do send names and addresses and internet links and all that shit and I'll publish all info somehowsomeway with each podcast but it wont be track x followed by track y so no one will ever know who is who and by the end of time it'll be a BLOBbb of hiss so it wont really matter so maybe if you be seriouse noise artist looking to expand your brand this'll be a heap of SHIT TO YOU cuz really... it's not about that, it's about... i dunno... FACELESS EGOLESS NOISE that eventually goes beyond any idea of product... it's just the eternal noise... oozing gunk pushed through the holes in the wall.."


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DETAILS

DIVERGENCE





It begins like waking from a dream into a nightmare, and carries the listener through a fractured path designed and constructed through the creativity of artists with the desire to surpass themselves. Created by members of the electronic music production community - IDMforums, in honor of the Industrial, EBM & Power Electronics section, not just as another industrial compilation, but as a tribute to a style of music that has inspired us to explore and reimagine sound through our own vision. Contained within the tracks in this compilation are echoes from not only the past and present of industrial music, but perhaps the future as well.

Divergence features 14 tracks from a diverse selection of artists from the IDMforums community, including new and exclusive tracks from Keef Baker, Endif, Tapage, Unterm Rad, and more. Both downloadable packages contain excellent full album artwork by Sean Forsythe, and short bios of all included artists in a single PDF document for your convenience.



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